Mahou Shoujo Site (Anime) Review

Ayappi, not Asagiri Ayappi, here 。゚(TヮT)゚。

This review will contain 2 parts. The biased and the unbiased review. This will be a VERY long post as I have a lot of things to say, so please do make use of the sub headings to navigate. Also this will contain spoilers from BOTH the Manga and Anime so please proceed with caution.

If you haven’t read my “Defense of Mahou Shoujo Site” article, you can read it here

Table of Contents:
Intro
Unbiased Review
     > Opening and Ending
> ORIGINAL Story
> Characters
> Theme Discussion
> Final Thoughts and Recommendation
Biased Review
===============
Introduction
I have said this time and time again, but I will say it again: Mahou Shoujo Site is my Number 1 favorite anime and manga. Despite the negative reception it has received from many of the international community, mostly due to the overabundance of themes and scenes that set off majority of this generation’s “triggers,” I honestly didn’t give a crap and proceeded to watch the show and read the manga. However just because it is my favorite now, does not mean I will be super lenient with its flaws and not expose them. I can try to defend it with a close analysis of the work, but that doesn’t mean I’ll simply brush over them. With that said here are my thoughts on this anime adaptation of a manga that I consider to be my all time favorite.

Unbiased Review:

Mahou Shoujo Site spanned 12 episodes total for its first season run. This review will focus mainly on the anime’s Opening and Ending, the original story, its characters and will end with my final conclusion and recommendations.

I will not tackle the anime’s art in this review as really there’s nothing that stood out in particular for me to point out. Other than the characters are now colored, are moving, and look cuter (in my opinion) compared to the manga, there really isn’t anything I’d like to say. Well, actually I do, but it’s so minor that it won’t make a difference whatsoever anyway (has something to do with the animation speed of some blood scenes).

Opening and Ending Themes
Let’s start with the OP and ED of the anime, they’re well done and executed. The opening, Changing Point by iRis is in my opinion, well done. The voices have this hint of despair that fits in with the theme of the series: “misfortune,” while at the same time, give energy and excitement to the viewer. This is something, paired along with good visuals and mood setting imagery, which the anime does well too, that is in my opinion crucial to any anime opening. It is an opening for a reason, it sets the mood for something and/or gets people fired up for the show. Normally I skip openings, but this is one of those openings that I didn’t skip from reasons ranging to Nana suddenly singing in Episode 10, to the subtle changes in the openings with each passing episode. Examples of these would be Aya crying blood in the first opening, and switching to Tempest after Episode 2: Tempest.

The ending is probably the more controversial of the two. The ending song is okay, it’s not the best but it’s not the worst. The choice to go live action was a huge but welcome surprise to me, it’s done pretty well. However, the ending decided to make use of sperm cells flying around a real life Tokyo among others. This is one of the things that sparked controversy among members of the international anime community, leaving some utterly confused and some dismissing it as something merely done for the edginess.

Now in defense of the flying sperm cells, remember that the Tempest will “give birth to a new world.” What do most living organisms do when they give birth? That’s right, a sperm and an egg cell. Remember that the “King” will give birth to a new world using “the people’s misfortune.” When a man and a woman do “it” and sperm gets released, remember that there are many of them trying to fertilize the egg cell. In this case, there’s only one King, and many people’s misfortune. It has also been mentioned that “not many will survive the Tempest,” and if you watched Episode 12 of this series you would know that the same sperm cell imagery has been shown, but with a sperm cell withering out when Nana says how not many will survive the Tempest. This is much like how not many sperm will survive after sex.

That isn’t to say that I found the flying sperm cells weird at first though. This is probably because I grew up in a somewhat conservative household that holds topics such as sex and whatnot as taboo. At the first few episodes I found myself skipping the ending to “Ikitai.” I might do a separate piece on that “Ikitai” in the future, for now I’ll stick to the anime.

ORIGINAL Story 

One of the biggest surprises that hit me was really the first scene of the first episode. I called it, it was a foreshadowing of two things: that Nana would be killed in the end, and that this isn’t going to follow the manga’s timeline. The anime made use of an original storyline that is mostly faithful to the source material at the first nine episodes, but proceeds to take its own course starting the tenth. Allow me to highlight first the major differences between the anime and the manga.

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Remember this photo? Yup that’s Alice.

In the anime, we lose out on many things found in the manga. Let’s start with Maganuma Alice, the girl who could turn back time with a flip phone stick. This girl is also related to Detective Misumi, Nana’s human accomplice who “rescued” Aya and the rest of the team from shitty brother  Asagiri Kaname’s attack. While her face was shown at the ending scene featuring Kaname’s rape in Misumi’s “sex dungeon,” it can’t be denied that she had absolutely ZERO screentime other than a cameo in a picture frame.

 

Her disappearance from the anime has caused many of the other differences in this anime, including Shizukume Sarina’s involvement with Nana, and the explosion during Anazawa Nijimi’s funeral. In the manga, Sarina was actually killed by Nana but was saved by Alice’s stick. In the manga, Aya and the rest of the mahou shoujo (she met at least) died in the explosion but was saved by Alice’s stick.

In the anime however, Sarina was just threatened with death by Nana. This non-killing of Sarina ties well with how the writers dealt with a lack of Maganuma Alice in the explosion part of the story. Remember that Sarina was working for Nana at the time, so she knows what Nana planned to do from the very beginning. With Sarina alive, she was able to team up with Asagiri Aya and give information to transport themselves to safety.

My take on this is probably because the anime was limited to a 12 episode run. The writers had to cut some parts of the original manga (which still isn’t finished by the way), to make room for an anime that will fit within 12 episodes, and one of them was to cut off Maganuma Alice. So far, the effects of erasing “shark teeth” Alice hasn’t been felt because the writers did a good job at patching up Sarina’s side of the story. Yatsumura however is where things begin to manifest, please read on.

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Top 10 Anime Confessions

Another major difference is how Yatsumura Tsuyuno died. In the manga, Yatsumura died from using her stick to stop time and save Aya because Maganuma Alice betrayed them in their battle with a really fat site administrator (the one that likes to rap). In the anime, Yatsumura also died from overuse of her stick, but it was with a battle with Nana, who doesn’t appear near the girls at all at this part, in the manga. Again, we can see without Maganuma Alice, things have been taking a very different direction from the source material.

 

While okay, I will admit it was a somewhat good way in my opinion to add some “TsuyuAya” drama and trigger a major character change in Aya without Alice in the story, but at what cost? Two things come into my mind: Pacing and Character Development. For the purposes of this section, I will tackle the pacing first.

If I were to graph the pacing of the story of this anime, here it is:

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This is one of those anime’s that have so much potential but are ultimately bogged down by the pacing. I’m not blaming the writers on this one, I’m blaming the constraint they had to work with. Episodes 1-10 in my opinion were crucial in developing the characters, world and the story so taking a hit there would actually worsen the effects. Many of the major events: Yatsumura and Asagiri’s final happy moments, the assembly of the “anti site admin squad” as I like to call it, introduction of magical girls from other sites, unearthing mysteries surrounding the site and Asagiri Kaname’s antics, were all covered in these 10 episodes and rushing them would not have been a wise decision. Had this been done, it would end up like SAO.

Episodes 11 and 12 felt really rushed to me, despite not really affecting my overall enjoyment and opinion on this anime. One thing that indicated the horrible pacing of the last two episodes was how Aya gained the ability of passing over lifespan and memories to another mahou shoujo out of nowhere. In the manga, she gained this after Yatsumura’s death, okay. It sort of makes more sense now, until you realize that Shioi Rina was the one who pointed that out to Komura Kayo, who were both nowhere to be found at that time (Shioi Rina was sent with Kosame Amagai to heal Sarina). To people who haven’t read the manga, this would cause lots of confusion and give the impression that this is a last minute plot armor device. 

However, despite the pacing problems, it was a good ending to a series that carried themes of “misfortune,” mind you. This sounds contradicting, but the best way I could describe this sort of scenario is “kinda well written, but horribly paced.”

Speaking of the ending, the final message of the anime, “we are not misfortunate,” was in my opinion a nice touch. It’s consistent with Asagiri Aya’s character of being the light in a world full of death and despair, and is just overall satisfying in my honest opinion.

Characters

Let’s go to characters, probably my biggest gripe, which I will divide into two parts: TsuyuAya and Others. Let’s start with Others.

Again, 12 episodes could really bog down a very good anime with potential. Another manifestation of this could be seen in the development of the characters and their overall screentime. One scenario I could think of of me wanting to see more of a character is Kosame Amagai. She’s arguably my favorite character and honestly, I felt like her character started to fade away slowly, only to come back into the limelight at the last part (healing Sarina). This can be seen with Kosame having almost zero lines, but then again she is the shy type of the bunch. I can assure you though, she has more lines in the manga compared to the anime.

However, the big hits in terms of character development were taken by Mikari and Sayuki, with the former taking more hits. Sayuki as we know is part of a yakuza family, but the only instance of that fully showing is her house being a location for Asagiri Kaname’s attack. We don’t get to see their backgrounds unlike the manga, which leads us to dismiss their characters as merely “the rich bitches.” Mikari and Sayuki have really interesting backstories in my opinion, and it really does show that they have lived unfortunate lives similar to the rest of the girls. However, with those completely gone from the anime, there is a possibility that people will think their misfortune comes from the cookie cutter “lonely rich girl” stereotype.

I’ve seen this trend too with many of the negative reviews I have read. While I don’t think the series warrants a 1/10 for “bland, bipolar” characters with no textual evidence support whatsoever, the 12 episode limit might have caused this perception among those who hated it.

Another instance of this would be detective Misumi, but I wouldn’t really complain on this one because his character only gets developed at the later chapters. Meaning the scope of the anime really was going to leave him out. If I can point out one negative effect of this, is that we dismiss him as the horny plot device cop. Yes, horny cop. Watch the last 3 minutes of the anime.

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Please tell me I’m not the only who thought this was the funniest scene in the entire anime

What they did well though in the others department is Asagiri Kaname. Again, the 12 episodes cut off some of his moments (punching Aya) that however, not really detrimental to the story, help develop his character. But the writers make up for this during the beach episode with their choice to remain faithful to the source material. Kaname’s monologue before killing the Nijimin-wota with Nijimi’s panty stick captures his character really well – a narcissistic high school boy who has a “god complex,” thinking everyone below him is trash and should be destroyed. In my opinion, their choice to tone down the abuse to Aya, but go full force with the Nijimi-wota was a good compromise to Kaname’s character.

 

Let’s now move on to TsuyuAya, which honestly is one of the biggest parts of Mahou Shoujo Site. It’s so big, that fans even call the manga as Yuri Shoujo Site and for good reason too.

BEST

Bask in its glory. This is canon.

Asagiri and Tsuyuno’s relationship plays a huge role in both their characters. In a way, they were each other’s catalysts for character development. Asagiri Aya as we know “only thought about dying everyday,” until she met Tsuyuno. Tsuyuno, after her source of revenge (and reason to live) was killed off by Sarina in the apartment duel, found new meaning in life thanks to Aya. Their relationship, much like a normal relationship between humans, has caused them to grow up together and develop each other.

I’ll dive more into their relationship in the next section, but let me start off with what they did right and wrong in highlighting this important symbol. The anime got some parts right with the bath scenes, bed scenes and beach scene. It’s mostly consistent with the manga, and highlights their relationship status well.

What they didn’t do right however, was to, again with the pacing, skip over it and deprive us of the kiss I just showed above. This was a powerful event that helps in the symbol of hope and love in my opinion, and they just had to exclude it. At least we got a confession from both of them.

 

On the subject of TsuyuAya, let’s talk about Asagiri Aya. She is far from being a static character as most negative reviews claim her to be. Yes, she still is “borderline too kind for the world, even bordering into stupidity,” according to Tsuyuno herself, but she has certainly gotten stronger. We can see this in how she chooses to stay with Yatsumura despite her dead body being in front of Nana who could kill her, and especially in how she teamed up with Sarina. The super passive Aya we saw in the first episode, has become this more aggressive, but still passive, stronger Aya. Indeed, in the words of Tsuyuno, “[she] really [has] gotten stronger.”

Theme Discussion

This anime may have taken a turn for the “worse,” but one of the things it kind of gets right is conveying the message I think it harbors. It’s already been established, this world of Mahou Shoujo Site is a world filled with pain, anguish, malice, despair, sadness, suffering and hopelessness. Despite all that, we get Aya.

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Not edited, I promise

Aya is one of these characters that look like a static character at first, but in reality she’s a dynamic character as I just mentioned. This however actually helps in the message of the entire series, that even in the darkest of the darkest worlds, there’s still room for infallible hope. Aya is the embodiment of this infallible hope, because despite of all of the shit thrown at her, she’s still that overly kind human being deep down. Stronger yes, but still kind.

This message of hope extends down to Tsuyuno as well, in her “site admin phase.” She’s dead yes, but she was technically reincarnated as a site admin, meaning she’s alive again. This time however, she’s filled with despair and nothingness, a slave to the will of the “King.” But with Aya’s little speech and her stick’s new ability, Tsuyuno was saved and went back to her normal self. It shows that really, even just a tiny bit of hope could make a huge difference in the world.

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King isn’t amused however

Conclusion and Recommendations

With all that said, I’m sorry if you found my review to be a ramble. But on to topic, would I recommend you watch this anime? This anime suffers from the 12 episode limit imposed by things such as airtime and budget, but overall manages to pull it off with a rushed but very satisfying ending. It cuts some corners, but makes up for it with its writing, themes, and Aya and Tsuyuno. Other characters not so much.

Despite all that I’m proud to declare that this is now my new favorite #1 anime locked on. It was the one reason why I woke up early on Saturdays, so my biased answer is a definite yes. However my unbiased answer is also a yes, but with a few conditions attached.

Are you the type to get triggered with any of the following themes and elements? Bullying, attempted and actual (gay) rape, domestic abuse, flying sperm cells, animal abuse, sadism, blood, despair, suicide, self harm, crime, murder, psychotic tendencies, overall political incorrectness? If yes for at least 5 of those, then I highly advise you to stay away from this anime. This isn’t for the faint of heart and overly sensitive, especially considering that this a PSYCHOLOGICAL HORROR anime. (I swear, I see people complaining that the show is edgy when the genre is inherently supposed to be edgy).

Are you the type who likes to deconstruct series and do close readings of them? I highly recommend you read the manga first before even diving into the anime. It’s very different I can assure you that, and I even found myself rereading the manga here and then to highlight some of the major differences between the two.

Are you the type who wants a lighthearted series to watch after a long tiring day at work? If you’re me, then I’d recommend it. But this series is only purely heartwarming during TsuyuAya scenes. Everything else we go back to this world of death and despair, which I’m pretty sure some of us want to forget about with a good fix of anime. This anime is relentlessly realistic, so don’t watch it if you want your escapism fix.

Have you watched the anime? What do you think? Please do let me know down below!

With that, please have a wonderful mahou shoujo life  and  day ❤

Biased Review: 
NO TSUYUAYA KISS >:(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((
JUST A CONFESSION. BOOOOOO
0/10. NOT RECOMENNDEDDDDDDDDDDDDDDDDDDDDDDDD

Joking, I love you Mahou Shoujo Site. I always will. You’re the best. Fite me. Everyone watch it, if you can handle it.

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Is Gojikanme no Sensou Worth Reading?

Ayappi here (๑╹ω╹๑ )

When aliens invade the world, what’s the first thing you plan to do? In this manga’s Japan, the plan is to deploy teenagers to fight the alien invaders. It’s every man for Japan in this manga, in an attempt to repel the unknown threat, which only (spoiler) gets revealed at the end who they exactly are. In this review I’ll go over my thoughts I had with Gojikanme no Sensou.

Girls and Guns, and Alien Invaders

The story is set in a world where the Japanese mainland is invaded by an unknown force of aliens. In an attempt to get as much forces needed to repel the threat, the Japanese government issues an order where select high school students will get deployed in the mainland to assist the SDF in fighting. This in my opinion, while some could argue that this is just an attempt at including girls with guns, this would actually make sense given the issues Japan is facing right now such as the rapidly aging population. While old people could fight, there’s only so much an aging body could do. Therefore the decision to use young people to fight may have been the only option at the time.

One common theme in this story, is loss. As the manga progresses, we get to witness ourselves the deaths of the class. These losses however, are not limited to physical losses or deaths of the characters and Japan but extend over to strained relationships and misunderstandings between the characters.  Despite these losses and deaths (towards the end the classroom was near empty), sufficient pages were given to developing the characters and their backstories, so it wasn’t at the cost of character development. One such example of this is the entire chapter dedicated to Miyoshi, the painter boy. If anything, should the characters end up being relatable to the reader, it only boosts the drama and the immersion factor of the manga for the reader. With this whole loss thing however, there’s one thing that boggles my mind: “Why and how did Saku suddenly disappear in the end, without a trace?”

UPDATE: Saku ran off to the mainland to meet with his current girlfriend, which isn’t Miyako. However, it’s safe to assume Saku died as this is the last we’ll ever see from him.

However towards the end, we get to see Miyako bearing 2 children, a boy and a girl, in a new world without the aliens. We get to see life blooming both from her, as well as the formerly resource scarce, now crop filled island. It should be noted that prior to the last chapter, Miyako had to buy food from a merchant boat that brought supplies from the mainland. That, and vegetables were handled by a small farm near the school grounds tended by Saku. The last chapter in particular (which is really long), gave many emphasis on nature, as well as the children of Miyako. The aliens are gone, and a new life starts for Miyako, her children and Japan. This is a nice contrast in my opinion to the first theme which is loss. As old life is lost, new lives begin to grow. It reflects the natural cycle of life and death, and is a smart and beautiful way of conveying that message in my opinion. At least that’s how I interpreted it.

What’s interesting to note of is the names of the two main characters. It’s foreshadowed from the beginning by the act of declaring Miyako and Saku to be unfit for combat, that one or both of them will be the only ones to survive. Now the kanji for Miyako’s name, 都, means “metropolis” or “city.” Being a mother of two children in a newly deserted island in Japan, it’s obvious that her children will be responsible for repopulating the entire island. In other words, make lots and lots of babies, people. Saku’s name, means north or first day of the month. However if we change the characters to a verb, 咲く which means to “bloom (as in life),” then we could possibly see a connection between their “plot armor” foreshadowed survival and the cycle of life and death I just discussed. Although Saku disappears in the end, you could say Saku and Miyako’s fruits “bloomed” in the form of their children.

This cycle of life and death also extends over to the strained interpersonal relationships of the characters. In particular, this one scene with Miyako and Saku towards the end of the manga. The two have sex in order to have babies, possibly because they think they’re the only humans left, but really prior to this scene Saku just answered Miyako’s confession. Now, sex is one of those things that may possibly reflect the closeness of two individuals. This could have indicated a revival of their past relationship as in the story their relationship has been kind of rocky, mostly due to the unrequited love. Again, it reflects the theme of life and death possessed by the manga.

The art for this manga, is really nothing special. However it does set the moods really well in certain scenes. Probably one of the best instances of the art setting the mood is with the drawing of the stuffed rabbit. It is heavily implied that the talking rabbit is the alien threat, and spoiler, it is. However, we don’t know its true nature just yet, but I personally leaned towards the “messenger/traitor from the enemy out to help the main characters.” It was only until the depiction of a rabbit in an eerie devil costume (drawn well enough to give anyone nightmares) was the true loyalties of the “rabbit” foreshadowed.

The pacing of the story is okay. Scenes didn’t feel rushed at all, and I personally think skipping some months to kill off some side characters helped a lot in the pacing. Besides, the majority of the manga are scenes set in the island, so adding more chapters just for the sake of showing how the rest died probably wouldn’t have helped at all. It just would hurt the pacing and would look out of place in my opinion.

Overall I’m pretty happy I read this manga. I only have a few gripes with the story, but regardless I enjoyed the ride. Now, would I recommend, the, that you read this manga? Are you a fan of alien invasions, high school students going to war, and apocalyptic stories? If you cannot read Japanese and are alright with waiting for the translations, then I might be able to recommend this manga to you, because that’s the one thing keeping it out of reach for English only readers. But if you’re a brave soul, I would strongly suggest that you have a dictionary nearby if you choose to read the Japanese because majority of the dialogue is in a dialect. However it is by no means a poorly written story and I think it deserves a chance to be read.

Have you read Gojikanme no Sensou? Please do let me know down below! Thank you for reading, and have a great day ❤

Also, I would like to give a little heads up regarding my current situation. I will be starting my third year at university tomorrow, and I wouldn’t have time to post as much as before. Given that, I will only be posting at minimum, one post per week. Maybe even more if I have the time for it, but certainly there will be one post per week unless something like a blackout happens.

Also, thank you for taking the time to subscribe and read my articles! It really means a lot to me!

Is Shishunki Bitter Change Worth a Read?

Ayappi here (°▽°)ノ

Spoiler Warning, Please Skim Through if You’re Not OK with Spoilers

Body swapping might not be a pleasant experience

Lately due to me being out of the house most of the time, I’ve been reading more manga than watching anime. Some of these series I only thought about reading just recently, while others I have read but have decided to re-read them because I simply lost track. Today I would like to talk about a certain manga series that at first glance might seem like it’s a Kimi no Na Wa rip off, but in reality it isn’t, and spoiler alert, it’s really good. I’ll get to why in a minute.

Shishunki (or Shisyunki) Bitter Change is a romance manga that deals with body swapping, much like Kimi no Na Wa. I figured that there would be a possibility that people would dismiss the manga as a rip off of the said series. However, the premise they operate, and how the body swapping works is entirely different. On Na Wa’s side, they body swap to each other on an alterate daily basis as soon as they fall asleep. On Shishunki’s body swapping, the two body swap indefinitely one day when the main male character Yuuta falls down on Yui, the main female character. They might be similar as well as to how they deal with their body swapping, such as “To Not Do Lists,” but the two are still different from each other. It should also be noted that Shishunki came out 4 years before Kimi no Na Wa stormed to success.

With that out of the way, let’s move on. The manga from what I read does a great job of using the whole body swapping thing to develop its characters and create, as the title implies, changes. The two, in the story, as they live out their lives in the bodies of each other, consciously and unconsciously fill in what was missing in their lives before the entire incident happened. Yuuta (in Yui’s body), fills in her desire to have friends and gets her out of the lonely zone, while Yui (in Yuuta’s body), gives Yuuta good grades.

Change is a common theme in this entire manga, and most if not all characters are NOT spared from the clutches of change. It’s a dynamic character festival, and we’re given front row seats to watch these characters grow up and change. There may be instances of characters that look like static ones, such as Mr. Hopeless Romantic, but in reality they had some subtle changes that could easily be overlooked, especially when binge reading.

(Super spoilers) But where does the “bitter” in bitter change come in? My guess on the matter, other than the side characters getting rejected of their romantic feelings for the two, which have lead to many changes in their lives, is how Yuuta developed romantic feelings for Yui. The two main characters had to deal with heartbreaks and rejections, as well as countless fights between each other for misunderstandings and deviations from the “To Not Do Lists.” Yuuta in particular had to deal with Yui not being able to “read” his feelings and blabbering nothing but Takuma, Yuuta’s best friend Yui has fallen for. These Although in the last chapter I have read, it may be implied that the two will end up together based on how I interpreted it.

My other guess on the whole “bitter change” bit is the entire concept of puberty. Shishunki translates to puberty, and in the story, we could see the characters dealing with puberty in bodies that aren’t even theirs. Oftentimes this has been bitter for the characters, especially because they weren’t supposed to experience puberty like that. Take for example Yuuta having to experience menstruation in Yui’s body. Couple that with the uncertainty on what could happen while the current owner is in the body, and it could make for one bitter experience.

As for the characters, they’re very relatable and believable, especially those that are still kids and/or undergoing puberty at the moment. The characters are the types of people you would commonly find in both grade school and middle/high school such as the smart lonely one, or the sociable one, or even the hopeless romantic. Family issues are also tackled in the story and I think it just helps with the whole relatability and believability factor. Not all families are the same after all, and it’s something every child eventually comes to know as they go out and explore and interact with the world. Although in this story’s case, they were unspared the trouble of finding out at a very early age, first hand. Me personally, I could relate with both Yui and Yuuta a lot, equally.

On the subject of character development, allow me to get this out of the way, but I’m personally glad that this didn’t turn out to become an ecchi manga. Ecchi can work and can even develop characters, maybe even faster than the current pace of the story. However, it feels kind of lazy in my opinion, and it could easily get lost in the fanservice should that be the case and I’m glad the author managed to develop its characters without going the ecchi route.

Art is handled well. It’s not tough to look at compared to something like Kotoura-san’s art style. I love Kotoura-san, but Kotoura’s eyes just look really weird and uncomfortable to look at. But it isn’t really groundbreaking or revolutionary for me to write an extra paragraph about it. Although, I have to give the author props because the simple art can actually help in keeping focus. This story can get confusing after all, given the whole body swap thing, and a lack of focus would make you get entirely lost in the story.

Would I recommend this manga? Yes. A definite yes. It’s a simple, yet beautiful story about body swapping that in my opinion, manages to hit the right spots. It’s not tough to read as well, light despite the presence of some drama scenes and fights. My only issue with this entire manga, really, is that it’s still not over. I personally want to see these two together (I ship them) and I couldn’t wait to see the ending already. It’s not a bad thing by any means, just that I can get impatient with these kinds of things.

So yes, if you’re looking for a lighthearted but interestingly kind of confusing romance manga, Shishunki Bitter Change should in my opinion be in your list. There are 8 volumes currently available, but I suspect a 9th volume coming soon. You could buy these on Amazon or eBookJapan at around standard manga price (around ¥4-500 before tax).

Have you read Shishunki Bitter Change? Would you consider reading it? Please do let me know and have a nice day ❤